corporate

portraits

At Míngua, corporate portraiture is approached with the same attention to human presence that defines professionals themselves — creating refined, tailor made, natural images for executives, artists, creatives and teams who want to be represented with authenticity, confidence and quiet sophistication.

client: EACA - European Association of Communications Agencies

project: board member portraits

location/year: Lisboa, 2026

client: code for all

project: on site team portraits

location/year: Lisboa, 2026

client: zagope - Construction and Engineering SA

project: team portraits

location/year: portugal, 2026

client: creative australia - Australia Council for the Arts

project: portraits of leading australian artists

location/year: australia, 2025

client: Art-work agency (left/top), institute of modern art (right/bottom)

project: creative professional portraits

location/year: australia, 2023-2025

interviews:

as moving portraits

client: museum of brisbane

project: in-depth profile interviews of key australian artists

location/year: australia, 2024

client: museum of brisbane

project: in-depth profile interviews of key australian artists

location/year: australia, 2024

Awards

du rietz art prize - australia: winner

2026

australian photography awards - portraiture: top 5 finalist

2023

australian photography awards - portraiture: top 5 finalist

2022

australian photography awards - portraiture: top 5 finalist

2021

“A foreign name is not a hurdle”, created for @photocollective_au 2022 Australian Photography Awards publication last year.

A work created under @bywaystudios, interrogating simple and often overlooked social heuristics within Australian

Photographs from @ellamayphoto Mixed Emotions II project that I was lucky enough to be a part of, on video, bts stills, and chats.

It’s a work that touches on Asian identity, culture, and community in its many forms within Australia - check h

This is the second experiment session with fresnel lenses.

Thanks to @thesarahhuston we wandered into abstract elisions.

This time the photographs ask the viewer to consider the lens point-of-view as the original, creating space for questioning. D

Portraits of a tender afternoon in Lisboa. A couple of these photographs will be used in my upcoming personal project, “Coming to Terms”.
January 2023

Portrait of @ahaensemble during a creative residency, exploring relationships and interdependence, at the @judithwrightcentre, 2021.

In-studio experiments with analog image manipulation with the always patient @buzzgards 🖤

Creative documentation for the thrilling show “BUNKER” from Lisa Wilson and Nathan Sibthorpe, along side a whole talented team.

@christinehartley92
@domipipi
@rozinasuliman
@naginya_way
@jeremyjegordon
@jayden_grogan_
@guysmilee

One of the pleasures of documenting creative developments is seeing how the work grows and matures. Glass Child from @maitreyahguenther and @kayahguenther is no exception.

Here’s the latest hero image/poster, along with its previous iteration

Sharing a few frames from an arts residency with @ahaensemble @danieleconstance and @jenlarge at @judithwrightcentre earlier this year.

If you know @ahaensemble, you know they’ve started as a movement ensemble, but are now far from that pigeo

Delighted to have two portraits in this year’s @photocollective_au Australian Photography Awards.

I’m not the biggest fan of photography competitions, they feel like an archaic, stagnant model that operates in a self-serving way.

The m