coming to terms

this series was created from the experience of migration, the effects of large changes on a personal level, and the inevitable mental changes that come from it. Drawing from recontextualisation, found moments and self-introspection, it shares intimate but universal vignettes that all migrants share.

coming to terms ii

project: coming to terms ii / lead artist: jorge serra / mediums: photography

transparency print on salvaged x-ray lightbox

2024

because i’ve been asked a few times; the lights were real and there is no image manipulation besides basic exposure, contrast, white balance edits.

warmth, memories

project: warm memories / lead artist: jorge serra / mediums: photography, digital manipulation

photographic portrait on black paper with 4 colour riso print (red, teal, black, gold)

2025

A portrait of my father after he passed, before he passed. an announced exit that led me to document the small moments that make day-to-day a recognasible tender entity.

— every since I can remember, I’ve mourned my father’s death —

this solemn, quiet image is transformed into a heat map, a metaphor for the crystallisation of memories, the task of remembering someone and how fragile this act can be.

every visit erodes the structure of the memory, its small details lost to time; tipping sides; and singularity. the many become few and protecting its diversity becomes a higher need.

may this heat map never run cold.

home as ghost

project: home as ghost / lead artist: jorge serra / mediums: photography

work in progress

2026

home as ghost is an exploration of self and belonging in the context of migration, the search for community, inclusion, and the effects that come from it. Through the use of self-portraiture and surrealist documentation of my surroundings in found scenes, i share with you the process of 3 years of continuous shooting, without any edits or review process, on long strolls, mostly at night, when home is most needed.

repetition, repetition, repetition, manic episodes.

the idea that migration is a process of slow build through socialisation is a detached and incorrect one. The life of a migrant is measured in leaps and bounds, affected mostly by their surroundings, bearing little control over the context their in - they’re merely a passerby, not yet a contributor. So the best you can do is change the context you’re in, shed skin after skin, until one suits or the inevitable comes — not all places are habitable.

home isn’t built, just; home is found.

“it’s much worse than we think,
and sooner; to whom I said
no duh child in my dreams, what do you think
this singing and shuddering is,
what this screaming and reaching and dancing
and crying is, other than loving
what every second goes away?”

— this is a work in progress.

(not written by AI, i just like em dashes.)

Previous
Previous

communal seams,

Next
Next

oblique heuristics,